A small group of folk in the town had arranged a rather unusual concert for Friday night. They had organised a fusion of Welsh Cerdd Dant and Jamaican dub poetry. This may sound an unusual mix but there was a reason for this; the group organizing the night were researching the historical links between the local wool trade and slavery.
When I lived in Scotland I was aware of the strong link between the tobacco and sugar trades and the slave trade and there were very many reminders of this in my home town. The street names, statues and buildings all bore witness to this shameful period. I had not been aware when I moved that this was also the case in North Wales, though perhaps I was rather naïve to think there is anywhere in the country, the hub of old Empire, which doesn’t have reminders to squalid aspects of our past. In any event I looked forward to this evening as it promised something different and I had little familiarity with either of the cultural forms.
But as we gathered for the evening I started to realise something was amiss. The night was cold and wet and there had been weather warnings of rain and flooding. We had noted that the town was rather quiet but, as my wife and I sat in the bar, we realised the only others there were either the performers or the theatre staff. Quarter of an hour after the due start time only three other people had joined us – we were hardly a throng being swollen. By the start of the show the audience was outnumbered by the staff and performers by a ratio of 2 to 1, but the show had to go on!
The main act was Yasas Afari. He is a well know poet but he also is a tall, handsome, striking man who has a great deal of charisma. This was a man who was not going to be intimidated by a poor turnout and was still intent of giving his performance. He delivered his poetry with gusto and verve. There was a powerful physicality to his delivery. This was made all the more potent by the fact that at times there were literally only inches between ourselves and the performer.
This evening clearly threatened ‘audience participation‘ and I was not sure my usual strategy was going to work on this occasion. Usually I adopt a pose of studiously looking at my feet, putting a glower on my face and trying to radiate an aura of “Don’t even think about choosing me, it would be more trouble than it is worth” as a protective shield around me. This usually works, but when I comprised fully 20% of the audience I anticipated that this was not going to be successful and I was correct : I had no option but to join in.
Yasus took an evening which could have been awkward and turned it into something quite special. He had us on our feet (all ten of them), we took part in the chorus, we made pledges and said oaths, we even danced along to some of the poems (Though shuffled may be a more appropriate verb than danced). He transformed an a difficult concert into an intimate gathering and we had a great night. We discussed language and culture and the links between language and political power. He made the links between the Welsh Language and Jamaican Patois clear and obvious.
We also discussed Rastafari and whether Yasus realises it, or not, he is an obviously a preacher. By the end of the night I had a much better understanding of this religion than I ever had expected. My knowledge of Rastafari had been limited to knowing some famous names associated with it (Marcus Garvey and Bob Marley) but I knew very little of the beliefs that it contained. Much is very similar to Christianity which, I am ashamed to say, I had not realised. I enjoyed his descriptions which were vivid and clear, and was struck when he said that he though many of our current problems stem from a modern mistake. The mistake, in his eyes, is to view ourselves as bodily entities having spiritual experiences rather than spiritual entities having bodily experiences. I thought this an interesting echo of the old view of the Cathars and early gnostics.
Mr. Afari really deserved a much bigger audience. If you ever have the chance to hear him deliver his poetry give it a go, you will enjoy yourself and find yourself thinking about a variety of issues. However, I am partially glad that this night was a “flop” and had such a small audience. It delivered a great deal more than it would have with a crowd and I would otherwise never had a chance to high five the poet!