The Favourite continues to do well in the awards, gathering praise where it is shown, and seems likely to do well on Oscars night. It has garnered praise in most film reviews and on-line the critics are, almost to a man, bowed over by its greatness. Only PostTrak seems a little discordant, with its more cautious rating, but then this rating is given by audiences rather than critics and this may be the reason. Unfortunately, I too have to be much more reserved in my praise for the film, as overall I found it more of a miss than a hit.
I have been looking forward to this film as I have enjoyed the earlier work of the director (especially Dogtooth) and I knew that he was a capable and inventive movie maker. Indeed the visual production of the film is excellent and does warrant any awards in this area. There is clever scene composition and good use of the fisheye lens which does add to the pictorial elegance of the film. The music was effective and used well in driving emotional tension and it to was possibly worthy of awards. The acting was fairly good and in no way let the film down but I don’t share the view that it was exceptional. It would have been difficult for the actors to shine as the characters and script were so poor. Characters were essentially caricatures and their dialogues were very poor and peppered with anachronisms. The three female leads are excellent actors but they did not display their metal in this film.
Unfortunately all of the excellent work above (the direction, the music, the settings and the actors) was then largely undone for me. This film presented a view of an important period of history as a combination period drama and ribald romp. As is almost de rigueur today, the power struggles were described as simply the outgrowth of personal and identity politics; the consequences of the machinations of the lusts of three powerful women. This might have worked if the period drama had been historically more accurate but it really omitted most that was important in this period. Preferring the scandal of a hint of homosexuality to any consideration of the true turmoil of the time.
Queen Anne’s reign was an important time. It followed the Glorious Revolution with the conflict that split Britain along religious Catholic/Protestant lines. It was the time when England’s relations with Europe were changing , especially with the Dutch and the French. Indeed Anne was married to Prince George of Denmark in an attempt to create a Danish-English alliance to try and contain the maritime power of the Dutch. Indeed the whole scene at home was changing with the Union of the Crowns and the creation of a single sovereign state of Great Britain; Anne was Queen of Scotland, England and Ireland at the start of her reign but by the end she was the first Queen of Great Britain and Ireland at her death. Her reign also saw the development of the two-party political system, with Whigs and Tories, in Britain. Queen Anne took an active interest, and played an active role, in politics and did receive considerable criticism as a consequence. None of this really appears in the film. The viewer could leave the cinema ignorant of all of this and with the impression that Anne was a silly, demanding lady lead by her girlfriends.
There are precious few times when women have played important and pivotal roles in British history that we know about. This era was one of them. Queen Anne, The Duchess of Marlborough and Baroness Masham were key players in defining aspects of British history. These women were significant agents in the religious and political power struggles that define much of British Society today. They did this as intelligent thinking individuals who knew the basis to these religious and political differences and clearly took principled stances in these battles. To portray them as scheming harpies belittles their success. It is reminiscent of the misogynistic criticism Queen Anne experienced during her lifetime. She was often derided as a weak woman, not of the stuff to rule and govern. It is terrible that today when, as usual, we try and rewrite history as we would have liked it to have been, rather than as it was, we end up belittling the very women who did manage to overcome the oppression of the age and take charge. This meant the film, despite it technical merits, left me with a bad taste in my mouth. I was left with the feeling that I had just watched a titillating tale of sex and swearing, wrapped up in good production values to give the illusion of class and worth, which told us nothing of the individuals then, nor anything about ourselves now. This lack of content made it difficult to end the film which comes to an unsatisfactory abrupt stop with the superimposition of some inappropriate rabbits (If you see the film you will understand).